Georg Arthur Jensen was a Danish silversmith. Born in 1866, Jensen was the son of a knife grinder in the town of Raadvad just to the north of Copenhagen. Jensen began his training in goldsmithing at the age of 14 in Copenhagen

Georg Arthur Jensen was a Danish silversmith. Born in 1866, Jensen was the son of a knife grinder in the town of Raadvad just to the north of Copenhagen. Jensen began his training in goldsmithing at the age of 14 in Copenhagen

It’s little wonder silver is such an attractive collectable – not only does it hold its intrinsic metal value regardless of changes in fashion, but the fact that many pieces are small means storage is relatively easy. Here Ben introduces Georg Jensen, a maker whose distinct style has enduring appeal…

Scandinavian design

Modern associations of Scandinavian style with cheap & cheerful furnishings from a certain Swedish furniture giant are somewhat unfair – this group of Northern European nations has a long history of artistry that extends back to the Viking era, and an art for making even the most simple, everyday items objects of beauty.

No name is more synonymous with this proud history that that of Danish silversmith Georg Jensen whose legacy lives on through the company of talented artists and craftsmen he founded which, to this day, creates beautiful silver designs inspired by his distinctive style.

Timeless appeal

p_georg-jensen_1699062cBorn in 1866, Jensen’s work is heavily influenced by the art nouveau movement, which was in its infancy when he was awarded a grant from the Danish Academy to tour the art centres of France and Italy in the early 1900s, having struggled to make a living as a sculptor and potter. On his return, he set out on his life’s work, with an ambition of making everyday objects that combined beauty and utility to give pleasure to their user.

Following a period working for Danish silversmith Mogens Baillin, who allowed his protégé to exhibit their work under their own names, Jensen established his own company in 1904; the birth of what is now an iconic brand. A vast range of silverware, from the purely decorative – jewellery and centrepieces – to functional tableware – all carries the Jensen hallmark of stylised design, making his work popular with collectors of both silver and art nouveau. However, while Jensen himself was a follower of art nouveau, he allowed his designers artistic freedom and, following his death in 1935, the company continued to evolve and create fresh, contemporary items of silverware and, more recently jewellery.

Nature as inspiration

a_georg_jensen_silver_stemmed_bowl_designed_by_johan_rohde_20th_centur_d5332598hThe art nouveau movement used nature as its inspiration and nowhere is this more evident that in Jensen’s flatware designs where stylised floral motifs are an enduring feature. In fact the most common Jensen pattern is ‘Acorn’ (or KONGE to give it its Danish name) with other botanically influenced collections including ‘Lily of the Valley’, ‘Dahlia’ and ‘Fuchsia’.

Other Georg Jensen collections are based on showcasing pure craftsmanship rather than borrowing elements of natural beauty, amongst them ‘Beaded’ and ‘Rope’, while ‘Continental’ is believed to be based on the form of traditional Nordic wooden utensils.

By the 1920s, art nouveau was giving way to art deco and Jensens designs altered according to fashion, with the straight, streamline forms of designs such as Pyramid, Cactus, Bittersweet and Parallel taking centre stage.

Even today, Jensen is a name synonymous with the production of luxury modern items with items such as its ‘fusion’ range of jewellery somehow managing to contemporary yet timelessly stylish at once. This, above anything, is perhaps why Jensen’s work is so sought after.

Georg Jensen Hall Marks

The best way of telling whether you have a genuine piece of Jensen is to check the hallmark. This will normally be located on the back of flatware and on the bottom of most other silver items. The stamp should have the letters G & J entwined – they may be of varying style and size as this evolved over the course of the company’s history.

Think you may have some Georg Jensen pieces in your collection? It’s well worth getting them valued – if only for insurance purposes.

This is an overview of most of the marks Georg Jensen silver smithy has used since its inception in 1904. The varying elements in Georg Jensen markings include the maker’s mark, silver content and design number. Earlier pieces may feature the Copenhagen “Three Towers” mark which includes the last two numbers of the production date and also the mark of the Copenhagen assay officer who verified the silver content. In particular hollowware pieces will also be marked with a designer’s mark (if other than Georg Jensen himself).