William Blake Specific Bibliographies

Color Printed Drawings

Butlin, Martin. “The Evolution of Blake’s Large Color Prints of 1795.” William Blake: Essays for S. Foster Damon. Ed. Alvin H. Rosenfeld. Providence: Brown University Press, 1969. 109-16.

Butlin, Martin. “The Physicality of William Blake: The Large Color Prints of ‘1795.’” Huntington Library Quarterly 52 (1989): 1-17.

Essick, Robert N. “Blake’s Newton.” Blake Studies 3 (1971): 149-62.

Heppner, Christopher. “Reading Blake’s Designs: Pity and Hecate.” Bulletin of Research in the Humanities 84 (1981): 337-61.

Kostelanetz [Mellor], Anne T. “Blake’s 1795 Color Prints: An Interpretation.” William Blake: Essays for S. Foster Damon. Ed. Alvin H. Rosenfeld. Providence: Brown University Press, 1969. 117-30.

Mitchell, W. J. T. “Chaosthetics: Blake’s Sense of Form.” Huntington Library Quarterly 58 (1997): 441-58.

Commercial Book Illustrations

Easson, Roger R., and Robert N. Essick. William Blake, Book Illustrator: A Bibliography and Catalogue of the Commercial Engravings. 2 vols. Volume I: Plates Designed and Engraved by Blake. Normal: American Blake Foundation, 1972. Volume II: Plates Designed or Engraved by Blake 1774-1796. Memphis: American Blake Foundation, 1979.

Eaves, Morris. “Blake and the Artistic Machine: An Essay in Decorum and Technology.” PMLA 92 (1977): 903-27.

Essick, Robert N. “Blake and the Traditions of Reproductive Engraving.” Blake Studies 5 (1972): 59-103.

Essick, Robert N. William Blake’s Commercial Book Illustrations: A Catalogue and Study of the Plates Engraved by Blake after Designs by Other Artists. Oxford: Clarendon Press, 1991.

Heppner, Christopher. “Another ‘New’ Blake Engraving: More About Blake and William Nicholson.” Blake: An Illustrated Quarterly 12 (1978-79): 193-97.

Russell, Archibald G. B. The Engravings of William Blake. New York: Houghton Mifflin, 1912.

Blair, The Grave

Bentley, G. E., Jr. “Blake and Cromek: The Wheat and the Tares.” Modern Philology 71 (1974): 366-79.

Bentley, G. E., Jr. “The Promotion of Blake’s Grave Designs.” University of Toronto Quarterly 31 (1962): 340-53.

Essick, Robert N., and Morton D. Paley. Robert Blair’s The Grave, Illustrated by William Blake: A Study with Facsimile. London: Scolar Press, 1982.

Helmstadter, Thomas. “‘Bright Visions of Eternity’: Blake’s Designs for Blair’s Grave.” Blake Studies 8 (1979): 37-64.

Gay, Fables

Keynes, Geoffrey. “Blake’s Engravings for Gay’s Fables.” The Book Collector 21 (1972): 59-64.

Malkin, A Father’s Memoirs

Read, Dennis M. “A New Blake Engraving: Gilchrist and the Cromek Connection.” Blake: An Illustrated Quarterly 14 (1980): 60-64.

Salzmann, Elements of Morality

Essick, Robert N. “The Figure in the Carpet: Blake’s Engravings in Salzmann’s Elements of Morality.” Blake: An Illustrated Quarterly 12 (1978): 10-14.

Stedman, Narrative

Lange, Thomas V. “Blake in American Almanacs.” Blake: An Illustrated Quarterly 14 (1980): 94-96.

Thornton, Virgil

Essick, Robert N. “A Relief Etching of Blake’s Virgil Illustrations.” Blake: An Illustrated Quarterly 25 (1991-92): 117-26.

Wilton, Andrew. Introduction to The Wood Engravings of William Blake. London: British Museum Publications, 1977.

Wollstonecraft, Original Stories

Welch, Dennis M. “Blake’s Response to Wollstonecraft’s Original Stories.” Blake: An Illustrated Quarterly 13 (1979): 4-15.

Young, Night Thoughts

Grant, John E. “Jesus and the Powers that Be in Blake’s Design for Young’s Night Thoughts.” Blake and His Bibles. Ed. David V. Erdman. West Cornwall: Locust Hill Press, 1990. 71-115.

Grant, John E., Edward J. Rose, and Michael J. Tolley, eds. William Blake’s Designs for Edward Young’s Night Thoughts. With David V. Erdman as coordinating editor. Oxford: Clarendon Press, 1980.

Helmstadter, Thomas H. “Blake and the Age of Reason: Spectres in the Night Thoughts.” Blake Studies 5 (1972): 105-39.

Helmstadter, Thomas H. “Blake and Religion: Iconographical Themes in the Night Thoughts.” Studies in Romanticism 10 (1971): 199-212.

Heppner, Chistopher. “The Good (In Spite of What You May Have Heard) Samaritan.” Blake: An Illustrated Quarterly. 25 (1991): 64-69.

Paley, Morton D. “Blake’s Night Thoughts: An Exploration of the Fallen World.” William Blake: Essays for S. Foster Damon. Ed. Alvin H. Rosenfeld. Providence: Brown University Press, 1969. 131-57.

Drawings, Water Colors, and Paintings

Blunt, Anthony. “Blake’s ‘Brazen Serpent.'” Journal of the Warburg and Courtauld Institutes 6 (1943): 225-27.

Butlin, Martin, ed. The Blake-Varley Sketchbook of 1819. London: Heinemann, 1969.

Butlin, Martin. The Paintings and Drawings of William Blake. 2 vols. New Haven: Yale University Press, 1981.

Gleckner, Robert F. Blake and Spenser. Baltimore: Johns Hopkins University Press, 1985.

Grant, John E., and Robert E. Brown. “Blake’s Vision of Spenser’s Faerie Queene: A Report and an Anatomy.” Blake Newsletter 8 (1974-75): 56-85.

Johnson, Mary Lynn. “Blake’s Judgment on the Book of Judges: The Watercolor Designs as Biblical Commentary.” Reconciliations: Studies in Honor of Richard Harter Fogle. Ed. Mary Lynn Johnson and Seraphia D. Leyda. Salzburg: Institut fur Anglistik und Amerikonistik, 1983. 41-71a.

Johnson, Mary Lynn. “David’s Recognition of the Human Face of God in Blake’s Design for the Book of Psalms.” Blake and His Bibles. Ed. David V. Erdman. West Cornwall: Locust Hill Press, 1990. 117-56.

Keynes, Geoffrey. Drawings of William Blake: 92 Pencil Studies. New York: Dover, 1970.

Merchant, W. Moelwyn. “Blake’s Shakespeare.” The Visionary Hand: Essays for the Study of William Blake’s Art and Aesthetics. Ed. Robert N. Essick. Los Angeles: Hennessey & Ingalls, 1973. 233-52.

Dante Illustrations

Klonsky, Milton. Blake’s Dante: The Complete Illustrations to the Divine Comedy. New York: Harmony Books, 1980.

Roe, Albert S. Blake’s Illustrations to the Divine Comedy. Princeton: Princeton University Press, 1953.

Gray Illustrations

Keynes, Geoffrey, ed. Water-Colours Illustrating the Poems of Thomas Gray. Chicago: O’Hara, 1972.

Tayler, Irene. Blake’s Illustrations to the Poems of Gray. Princeton: Princeton University Press, 1971.

Vaughan, Frank A. Again the Life of Eternity: William Blake’s Illustrations to the Poems of Thomas Gray. Selinsgrove: Susquehanna University Press, 1996.

The Book of Job

Lindberg, Bo. “William Blake’s Illustrations to the Book of Job.” Acta Academiae Aboensis, ser. A: Humaniora 46. Abo, Finland: Abo Akademi, 1973.

Wickstead, Joseph. Blake’s Vision of the Book of Job. 2nd. ed. London: J. M. Dent, 1924.

Milton Watercolors

Behrendt, Stephen C. The Moment of Explosion: Blake and the Illustration of Milton. Lincoln: University of Nebraska Press, 1983.

Butlin, Martin. “A Minute Particular Particularized: Blake’s Second Set of Illustrations to Paradise Lost.” Blake Newsletter 6 (1972-73): 44-46.

Chayes, Irene H. “Blake’s Ways with Art Sources: Michelangelo’s The Last Judgment.” Colby Library Quarterly 20 (1984): 71-73, 88.

Davies, J. M. Q. Blake’s Milton Designs: The Dynamics of Meaning. West Cornwall: Locust Hill Press, 1993.

Dunbar, Pamela. William Blake’s Illustrations to the Poetry of Milton. Oxford: Clarendon Press, 1980.

Essick, Robert N. The Works of William Blake in the Huntington Collections: A Complete Catalogue. San Marino: Henry E. Huntington Library and Art Gallery, 1985.

Franson, Karl. “The Serpent-Driving Females in Blake’s Comus 4.” Blake: An Illustrated Quarterly 12 (1978-79): 164-77.

Lawson, Bruce. “Blake’s Europe and His ‘Corrective’ Illustrations to Milton’s ‘Nativity Ode.'” Mosaic 25 (1992): 45-61.

Pointon, Marcia R. Milton and English Art. Manchester: Manchester University Press, 1970.

Rose, Edward J. “Blake’s Illustrations for Paradise Lost, L’Allegro, and Il Penseroso: A Thematic Reading.” University of Hartford Studies in Literature 2 (1970): 40-67.

Tayler, Irene. “Say First! What Mov’d Blake? Blake’s Comus Designs and Milton.” Blake’s Sublime Allegory: Essays on The Four Zoas, Milton, and Jerusalem. Ed. Stuart Curran and Joseph A. Wittreich, Jr. Madison: University of Wisconsin Press, 1973. 233-58.

Werner, Bette Charlene. Blake’s Vision of the Poetry of Milton. Lewisburg: Bucknell University Press, 1986.

Wittreich, Joseph Anthony, Jr. Angel of Apocalypse: Blake’s Idea of Milton. Madison: University of Wisconsin Press, 1975.

Wittreich, Joseph Anthony, Jr. “William Blake: Illustrator-Interpreter of Paradise Regained.” Calm of Mind: Tercentenary Essays on Paradise Regainedand Samson Agonistes in Honor of John S. Diekhoff. Ed. Joseph Anthony Wittreich, Jr. Cleveland: Press of Case Western Reserve University, 1971. 93-132.

Pilgrim’s Progress Illustrations

Norvig, Gerda S. Dark Figures in the Desired Country: Blake’s Illustrations to The Pilgrim’s Progress. Berkeley: University of California Press, 1993.

Illuminated Books

All Religions are One

Eaves, Morris, Robert N. Essick, and Joseph Viscomi, eds. William Blake: The Early Illuminated Books. Blake’s Illuminated Books, vol. 3. London: Tate Gallery Publications, for the William Blake Trust, 1993.

Keynes, Geoffrey, ed. All Religions are One. London: William Blake Trust, 1970.

Return to Illuminated Books

America: a Prophecy

Baine, Rodney M., and Mary R. Baine. “Then Mars Thou Wast Our Center.” English Language Notes 13 (1975-76): 14-18.

Behrendt, Stephen C. “History When Time Stops: Blake’s America, Europe, and The Song of Los.” Papers on Language and Literature 28 (1992): 379-97.

Behrendt, Stephen C. “‘This Accursed Family’: Blake’s America and the American Revolution.” Eighteenth Century: Theory and Interpretation 27 (1986): 26-51.

Bentley, G. E., Jr. “The Printing of Blake’s America.” Studies in Romanticism 6 (1966): 46-57.

Bentley, G. E., Jr., ed. William Blake: America: A Prophecy. Materials for the Study of William Blake 1. Normal: American Blake Foundation, 1974.

Cherry, Charles L. “The Apotheosis of Desire: Dialectic and Image in The French Revolution, Visions of the Daughters of Albion, and the ‘Preludium’ of America.” Xavier University Studies 8 (1969): 18-31.

De Luca, Vincent Arthur. “Ariston’s Immortal Palace: Icon and Allegory in Blake’s Prophecies.” Criticism 12 (1970): 1-19.

Dorfman, Deborah. “‘King of Beauty’ and ‘Golden World’ in Blake’s America.” ELH 46 (1979): 122-35.

Dörrbecker, D. W., ed. William Blake: The Continental Prophecies. Blake’s Illuminated Books, vol. 4. London: Tate Gallery Publications, for the William Blake Trust, 1995.

Doskow, Minna. “William Blake’s America: The Story of a Revolution Betrayed.” Blake Studies 8 (1979): 167-86.

Dumbaugh, Winnifred. William Blake’s Vision of America. Pacific Grove: Boxwood Press, 1971.

Erdman, David V. “America: New Expanses.” Blake’s Visionary Forms Dramatic. Ed. David V. Erdman and John E. Grant. Princeton: Princeton University Press, 1970. 92-114.

Erdman, David V. “William Blake’s Debt to James Gillray.” Art Quarterly 12 (1949): 165-70.

Erdman, David V. “William Blake’s Debt to Joel Barlow.” American Literature 26 (1954): 94-98.

Ferber, Michael. “Blake’s America and the Birth of Revolution.” History and Myth: Essays on English Romantic Literature. Ed. Stephen C. Behrendt. Detroit: Wayne State University Press, 1990. 73-99.

Ferber, Michael. “Mars and the Planets Three in America.” Blake: An Illustrated Quarterly 15 (1981-82): 136-37.

Holley, Michael. “Blake’s Atlantis.” Colby Library Quarterly 30 (1994): 109-18.

Howard, John. Infernal Poetics: Poetic Structures in Blake’s Lambeth Prophecies. Rutherford: Fairleigh Dickinson University Press, 1984.

James, David E. “Angels Out of the Sun: Art, Religion and Politics in Blake’s America.” Studies in Romanticism 18 (1979): 235-52.

Keynes, Geoffrey, ed. William Blake: America: A Prophecy. London: Trianon Press, for the William Blake Trust, 1963.

Lange, Thomas V. “Two Forged Plates in America, Copy B.” Blake: An Illustrated Quarterly 16 (1982-83): 212-18.

Larrissy, Edward. “Blake’s America: An Early Version?” Notes and Queries 228 ns 30 (1983): 217-19.

McCord, James. “West of Atlantis: William Blake’s Unromantic View of the American War.” Centennial Review 30 (1986): 383-96.

Paulson, Ronald. Representations of Revolution (1789-1820). New Haven: Yale University Press, 1983.

Preston, Kerrison. “Blake’s America.” Times Literary Supplement 5 (March 1964): 195.

Quasha, George. “Orc as a Fiery Paradigm of Poetic Torsion.” Blake’s Visionary Forms Dramatic. Ed. David V. Erdman and John E. Grant. Princeton: Princeton University Press, 1970. 263-84.

Rajan, Tilottama. “(Dis)figuring the System: Vision, History, and Trauma in Blake’s Lambeth Books.” Huntington Library Quarterly 58 (1997): 383-411.

Schleifer, Ronald. “Simile, Metaphor, and Vision: Blake’s Narration of Prophecy in America.” Studies in English Literature 1500-1900 19 (1979): 569-88.

Spicer, Harold. “Biblical Sources of Blake’s America.” Ball State University Forum 8 (1967): 23-29.

Stevenson, W. H. “The Shaping of Blake’s America.” Modern Language Review 55 (1960): 497-503.

Stevenson, Warren. “The Image of Canada in Blake’s America a Prophecy.” Blake: An Illustrated Quarterly 27 (1993-94): 72-74.

Tannenbaum, Leslie. Biblical Tradition in Blake’s Early Prophecies: The Great Code of Art. Princeton: Princeton University Press, 1982.

Viscomi, Joseph. “Facsimile or Forgery? An Examination of America, Plates 4 and 9, Copy B.” Blake: An Illustrated Quarterly 16 (1982-83): 219-23.

Wardle, J. “Europe and America.” Notes and Queries 213 ns 15 (1968): 20-21.

Welch, Dennis M. “America and Atlantis: Blake’s Ambivalent Millenialism.” Blake Newsletter 6 (1972-73): 50.

Wright, Julia M. “‘Empire is no More’: Odin and Orc in America.” Blake: An Illustrated Quarterly 26 (1992-93): 26-29.

The Book of Ahania

Howard, John. Infernal Poetics: Poetic Structures in Blake’s Lambeth Prophecies. Rutherford: Fairleigh Dickinson University Press, 1984.

Keynes, Geoffrey, ed. The Book of Ahania. London: Trianon Press, for the William Blake Trust, 1973.

Lindsay, David W. “The Book of Ahania: An Interpretation of the Text.” Durham University Journal 68 (1976): 144-47.

Paley, Morton D. “Method and Meaning in Blake’s Book of Ahania.” Bulletin of the New York Public Library 70 (1966): 27-33.

Tannenbaum, Leslie. Biblical Tradition in Blake’s Early Prophecies: The Great Code of Art. Princeton: Princeton University Press, 1982.

Worrall, David, ed. William Blake: The Urizen Books. Blake’s Illuminated Books, vol. 6. London: Tate Gallery Publications, for the William Blake Trust, 1995.

The Book of Los

Howard, John. Infernal Poetics: Poetic Structures in Blake’s Lambeth Prophecies. Rutherford: Fairleigh Dickinson University Press, 1984.

Keynes, Geoffrey, ed. The Book of Los. London: Trianon Press , for the William Blake Trust, 1976.

Tannenbaum, Leslie. Biblical Tradition in Blake’s Early Prophecies: The Great Code of Art. Princeton: Princeton University Press, 1982.

Worrall, David, ed. William Blake: The Urizen Books. Blake’s Illuminated Books, vol. 6. London: Tate Gallery Publications, for the William Blake Trust, 1995.

The Book of Thel

Baine, Rodney M., and Mary R. Baine. “Thel’s Northern Gate.” Philological Quarterly 51 (1972): 957-61.

Bentley, G. E., Jr. “From Sketch to Text: The Case of The Book of Thel.” Blake: An Illustrated Quarterly 19 (1985-86): 128-41.

Carr, Robert. “Divine Construct and the Individual Will: Swedenborgian Theology in The Book of Thel.” Colby Library Quarterly 23 (1987): 77-88.

Ferber, Michael. “Blake’s Thel and the Bride of Christ.” Blake Studies 9 (1980): 45-56.

Fox, Susan. “The Female as Metaphor in William Blake’s Poetry.” Essential Articles for the Study of William Blake, 1970-1984. Ed. Nelson Hilton. Hamden: Archon Books, 1986. 75-90.

Freed, Eugenie R. “‘Sunclad Chastity’ and Blake’s ‘Maiden Queens’: Comus, Thel, and ‘The Angel.'” Blake: An Illustrated Quarterly 25 (1991-92): 104-16.

Gleckner, Robert F. “Blake’s Thel and the Bible.” Bulletin of the New York Public Library 64 (1960): 573-80.

Gleckner, Robert F. The Piper and the Bard. Detroit: Wayne State University Press, 1959.

Heppner, Christopher. “‘A Desire of Being’: Identity and The Book of Thel.” Colby Library Quarterly 13 (1977): 79-98.

Johnson, Mary Lynn. “Beulah, ‘Mne Seraphim,’ and Blake’s Thel.” Journal of English and Germanic Philology 69 (1970): 258-77.

King-Hele, Desmond. Erasmus Darwin and the Romantic Poets. London: Macmillan Press, 1986.

Lattin, Vernon E. “Blake’s Thel and Oothoon: Sexual Awakening in the Eighteenth Century.” Literary Criterion 16 (1981): 11-24.

Leonard, David Charles. “Erasmus Darwin and William Blake.” Eighteenth-Century Life 4 (1978): 79-81.

Levinson, Marjorie. “The Book of Thel by William Blake: A Critical Reading.” ELH 47 (1980): 287-303.

Levitt, Annette S. “Comus, Cloud, and Thel’s ‘Unacted Desires.'” Colby Library Quarterly 14 (1978): 72-83.

Linkin, Harriet Kramer. “The Function of Dialogue in The Book of Thel.” Colby Library Quarterly 23 (1987): 66-76.

Mellor, Anne K. “Blake’s Portrayal of Women.” Blake: An Illustrated Quarterly 16 (1982-83): 148-55.

Murray, E. B. “Thel, Thelyphthora, and the Daughters of Albion.” Studies in Romanticism 20 (1981): 275-97.

Ostriker, Alicia. “Desire Gratified and Ungratified: William Blake and Sexuality.” Blake: An Illustrated Quarterly 16 (1982-83): 156-65.

Otter, A. G. den. “The Question of The Book of Thel.” Studies in Romanticism 30 (1991): 633-55.

Pearce, Donald R. “Natural Religion and the Plight of Thel.” Blake Studies 8 (1978): 23-35.

Read, Dennis M. “Blake’s ‘Tender Stranger’: Thel and Hervey’s Meditations.” Colby Library Quarterly 18 (1982): 160-67.

Wilkie, Brian. Blake’s Thel and Oothoon. Victoria, British Columbia: University of Victoria, 1990.

Worrall, David. “William Blake and Erasmus Darwin’s Botanic Garden.” Bulletin of the New York Public Library 78 (1974-75): 397-417.

Europe: a Prophecy

Anderson, Mark. “Why Is That Fairy in Europe?” Colby Library Quarterly 21 (1985): 122-33.

Behrendt, Stephen C. “Europe 6: Plundering the Treasury.” Blake: An Illustrated Quarterly 2 (1987-88): 85-94.

Behrendt, Stephen C. “History When Time Stops: Blake’s America, Europe, and The Song of Los.” Papers on Language and Literature 28 (1992): 379-97.

Bentley, G. E., Jr., ed. William Blake: Europe: A Prophecy. Materials for the Study of William Blake 2. Memphis: American Blake Foundation, 1978.

Blunt, Anthony. “Blake’s ‘Ancient of Days’: The Symbolism of the Compasses.” Journal of the Warburg and Courtauld Institutes 2 (1938-39): 53-63.

Carretta, Vincent. George III and the Satirists from Hogarth to Byron. Athens: University of Georgia Press, 1990.

Dörrbecker, D. W., ed. William Blake: The Continental Prophecies. Blake’s Illuminated Books, vol. 4. London: Tate Gallery Publications, for the William Blake Trust, 1995.

Douglas, Dennis. “Blake’s Europe: A Note on the Preludium.” AUMLA 23 (1965): 111-16.

Erdman, David V. “William Blake’s Debt to James Gillray.” Art Quarterly 12 (1949): 165-70.

Howard, John. Infernal Poetics: Poetic Structures in Blake’s Lambeth Prophecies. Rutherford: Fairleigh Dickinson University Press, 1984.

Keynes, Geoffrey, ed. William Blake: Europe: A Prophecy. London: Trianon Press, for the William Blake Trust, 1969.

Kowle, Carol P. “Plate iii and the Meaning of Europe.” Blake Studies 8 (1978): 89-99.

La Belle, Jenijoy. “Blake’s Bald Nudes.” Blake: An Illustrated Quarterly 24 (1990-91): 52-58.

Lawson, Bruce. “Blake’s Europe and His ‘Corrective’ Illustrations to Milton’s ‘Nativity Ode.'” Mosaic 25 (1992): 45-61.

Lincoln, A[ndrew] W. J. “Blake’s Europe: An Early Version?” Notes and Queries 223 ns 25 (1978): 213.

Nurmi, Martin K. “Blake’s Ancient of Days and Motte’s Frontispiece to Newton’s Principia.” The Divine Vision: Studies in the Poetry and Art of William Blake. Ed. Vivian de Sola Pinto. London: Gollancz, 1957. 207-16.

Paley, Morton D. “Europe iii: 18.” Blake Newsletter 1.3 (1967): 16, 18.

Paulson, Ronald. Representations of Revolution (1789-1820). New Haven: Yale University Press, 1983.

Popham, A. E. “Proofs of William Blake’s Europe.” British Museum Quarterly 11 (1937): 184-85.

Quasha, George. “Orc as a Fiery Paradigm of Poetic Torsion.” Blake’s Visionary Forms Dramatic. Ed. David V. Erdman and John E. Grant. Princeton: Princeton University Press, 1970. 263-84.

Rajan, Tilottama. “(Dis)figuring the System: Vision, History, and Trauma in Blake’s Lambeth Books.” Huntington Library Quarterly 58 (1997): 383-411.

Swearingen, James E. “Time and History in Blake’s Europe.” Clio 20 (1991): 109-21.

Tannenbaum, Leslie. Biblical Tradition in Blake’s Early Prophecies: The Great Code of Art. Princeton: Princeton University Press, 1982.

Tolley, Michael J. “Europe: ‘To Those Ychain’d in Sleep.'” Blake’s Visionary Forms Dramatic. Ed. David V. Erdman and John E. Grant. Princeton: Princeton University Press, 1970. 115-45.

Wardle, J. “Europe and America.” Notes and Queries 213 ns 15 (1968): 20-21.

The [First] Book of Urizen

Ault, Donald D. “Blake’s De-Formation of Neo-Aristotelianism.” Critical Paths: Blake and the Argument of Method. Ed. Dan Miller, Mark Bracher, and Donald Ault. Durham: Duke University Press, 1987. 111-38.

Bentley, G. E., Jr. “The Shadow of Los: Embossing in Blake’s Book of Urizen.” Art Bulletin of Victoria 30 (1989): 18-23.

Butlin, Martin. “Another Rediscovered Color Print by William Blake.” Blake: An Illustrated Quarterly 27 (1993-94): 68.

Curtis, F. B. “The Geddes Bible and the Tent of the Eternals in the Book of Urizen.” Blake Newsletter 6 (1973): 93-94.

Easson, Kay Parkhurst, and Roger R. Easson, eds. The Book of Urizen. London: Thames and Hudson, 1979.

Eaves, Morris. “The Title-Page of the Book of Urizen.” William Blake: Essays in Honour of Sir Geoffrey Keynes. Ed. Morton D. Paley and Michael Phillips. Oxford: Clarendon Press, 1973. 225-30.

Ellis, Helen B. “Added and Omitted Plates in the Book of Urizen.” Colby Library Quarterly 23 (1987): 99-107.

Essick, Robert N. “Variation, Accident, and Intention in Blake’s Book of Urizen.” Studies in Bibliography 39 (1986): 230-35.

Howard, John. Infernal Poetics: Poetic Structures in Blake’s Lambeth Prophecies. Rutherford: Fairleigh Dickinson University Press, 1984.

Keynes, Geoffrey, ed. The Book of Urizen. London: Trianon Press, for the William Blake Trust, 1958.

Mann, Paul. “The Book of Urizen and the Horizon of the Book.” Unnam’d Forms: Blake and Textuality. Ed. Nelson Hilton and Thomas A. Vogler. Berkeley: University of California Press, 1986. 49-68.

Marks, Mollyanne [Kauffman]. “Structure and Irony in Blake’s The Book of Urizen.” Studies in English Literature 15 (1975): 579-90.

Mitchell, W. J. T. “Poetic and Pictorial Imagination in Blake’s The Book of Urizen.” The Visionary Hand: Essays for the Study of William Blake’s Art and Aesthetics. Ed. Robert N. Essick. Los Angeles: Hennessey & Ingalls, 1973. 337-80.

Simmons, Robert E. “Urizen: The Symmetry of Fear.” Blake’s Visionary Forms Dramatic. Ed. David V. Erdman and John E. Grant. Princeton: Princeton University Press, 1970. 146-73.

Spector, Sheila A. “The Reasons for ‘Urizen.'” Blake: An Illustrated Quarterly 21 (1988): 147-49.

Sutherland, John. “Blake and Urizen.” Blake’s Visionary Forms Dramatic. Ed. David V. Erdman and John E. Grant. Princeton: Princeton University Press, 1970. 244-62.

Tannenbaum, Leslie. Biblical Tradition in Blake’s Early Prophecies: The Great Code of Art. Princeton: Princeton University Press, 1982.

Tannenbaum, Leslie. “Blake’s Art of Crypsis: The Book of Urizen and Genesis.” Blake Studies 5 (1972): 141-44.

Tannenbaum, Leslie. “Transformations of Michelangelo in William Blake’s The Book of Urizen.” Colby Library Quarterly 16 (1980): 21-43.

Worrall, David, ed. William Blake: The Urizen Books. Blake’s Illuminated Books, vol. 6. London: Tate Gallery Publications, for the William Blake Trust, 1995.

Gates of Paradise [both For Children and For the Sexes]

Digby, George Wingfield. Symbol and Image in William Blake. Oxford: Clarendon Press, 1957.

Johnson, Mary Lynn. “Emblem and Symbol in Blake.” Huntington Library Quarterly 37 (1974): 151-70.

Kmetz, Gail. “A Reading of Blake’s The Gates of Paradise.” Blake Studies 3 (1971): 171-85.

Parisi, Frank M. “‘Emblems of Morality’: For Children: The Gates of Paradise.” Interpreting Blake. Ed. Michael Phillips. Cambridge: Cambridge University Press, 1978. 70-110.

Salemi, Joseph S. “Emblematic Tradition in Blake’s The Gates of Paradise.” Blake: An Illustrated Quarterly 15 (1982): 108-24.

Wardle, J. “‘For Hatching Ripe’: Blake and the Educational Uses of Emblem and Illustrated Literature.” Bulletin of Research in the Humanities 81 (1978): 324-48.

The Ghost of Abel

Bidney, Martin. “Cain and The Ghost of Abel: Contexts for Understanding Blake’s Response to Byron.” Blake Studies 8 (1979): 145-65.

Essick, Robert N., and Joseph Viscomi, eds. William Blake: Milton a Poem and the Final Illuminated Works. Blake’s Illuminated Books, vol. 5. London: Tate Gallery Publications, for the William Blake Trust, 1993.

Reisner, Thomas A. “Cain: Two Romantic Interpretations.” Culture 31 (1970): 124-43.

Tannenbaum, Leslie. “Blake and the Iconography of Cain.” Blake in His Time. Ed. Robert N. Essick and Donald Pearce. Bloomington: Indiana University Press, 1978. 23-34.

Jerusalem

Chayes, Irene H. “The Marginal Designs on Jerusalem 12.” Blake Studies 7 (1974): 51-76.

Curran, Stuart. “Blake and the Gnostic Hyle: A Double Negative.” Blake Studies 4 (1972): 117-33.

Curran, Stuart, and Joseph Anthony Wittreich, Jr., eds. Blake’s Sublime Allegory: Essays on The Four Zoas, Milton, and Jerusalem. Madison: University of Wisconsin Press, 1973.

Deen, Leonard W. Conversing in Paradise: Poetic Genius and Identity-as-Community in Blake’s Los. Columbia: University of Missouri Press, 1983.

De Luca, Vincent Arthur. “The Changing Order of Plates in Jerusalem, Chapter II.” Blake: An Illustrated Quarterly 16 (1983): 192-205.

Erdman, David V. “A Book to Eat.” Blake: An Illustrated Quarterly 15 (1982): 170-75.

Erdman, David V. “The Suppressed and Altered Passages in Blake’s Jerusalem.” Studies in Bibliography 17 (1964): 1-54.

Essick, Robert N. “William Blake’s ‘Female Will’ and Its Biographical Context.” Studies in English Literature 1500-1900 31 (1991): 615-30.

Essick, Robert N. “William Blake’s Jerusalem, Plate 51.” Art Bulletin of Victoria 31 (1990): 20-25.

Gleckner, Robert F. “Blake’s Swans.” Blake: An Illustrated Quarterly 15 (1981-82): 164-69.

Harper, George Mills. “The Divine Tetrad in Blake’s Jerusalem.” William Blake: Essays for S. Foster Damon. Ed. Alvin Rosenfeld. Providence: Brown University Press, 1969. 235-55.

Keynes, Geoffrey, ed. Jerusalem: The Emanation of the Giant Albion. London: Trianon Press, for the William Blake Trust, 1974.

Lesnick, Henry. “Narrative Structure and the Antithetical Vision of Jerusalem. ” Blake’s Visionary Forms Dramatic. Ed. David V. Erdman and John E. Grant. Princeton: Princeton University Press, 1970. 391-412.

Miner, Paul. “Blake and the Night Sky III: Visionary Astronomy.” Bulletin of Research in the Humanities 84 (1981): 305-36.

Miner, Paul. “The Polyp as a Symbol in the Poetry of William Blake.” Texas Studies in Literature and Language 2 (1960): 198-205.

Miner, Paul. “William Blake: Two Notes on Sources.” Bulletin of the New York Public Library 62 (1958): 203-07.

Ott, Judith. “The Bird-Man of William Blake’s Jerusalem.” Blake 10 (1976): 48-51.

Owen, A. L. The Famous Druids. Oxford: Clarendon Press, 1962.

Paley, Morton D. The Continuing City: William Blake’s Jerusalem. Oxford: Clarendon Press, 1983.

Paley, Morton D. “Cowper as Blake’s Spectre.” Eighteenth Century Studies 1 (1968): 236-52.

Paley, Morton D. “The Figure of the Garment in The Four Zoas, Milton, and Jerusalem.” Blake’s Sublime Allegory: Essays on The Four Zoas, Milton, and Jerusalem. Ed. Stuart Curran and Joseph A. Wittreich, Jr. Madison: University of Wisconsin Press, 1973. 119-39.

Paley, Morton D. “The Fourth Face of Man: Blake and Architecture.” Articulate Images: The Sister Arts from Hogarth to Tennyson. Ed. Richard Wendorf. Minneapolis: University of Minnesota Press, 1983. 184-215.

Paley, Morton D. “Thomas Johnes, ‘Ancient Guardian of Wales.'” Blake Newsletter 2 (1969): 65-67.

Paley, Morton D., ed. William Blake: Jerusalem: The Emanation of the Giant Albion. Blake’s Illuminated Books, vol. 1. London: Tate Gallery Publications, for the William Blake Trust, 1991.

Paley, Morton D. “‘Wonderful Originals’– Blake and Ancient Sculpture.” Blake in His Time. Ed. Robert N. Essick and Donald Pearce. Bloomington: Indiana University Press, 1978. 170-97.

Roe, Albert S. “‘The Thunder of Egypt.'” William Blake: Essays for S. Foster Damon. Ed. Alvin Rosenfeld. Providence: Brown University Press, 1969. 158-95.

Rose, Edward J. “Circumcision Symbolism in Blake’s Jerusalem.” Studies in Romanticism 8 (1968): 16-25.

Sanzo, Eileen. “Blake’s Beulah & Beulah Hill, Surrey.” Blake: An Illustrated Quarterly 9 (1975): 46.

Todd, Ruthven. “The Identity of ‘Hereford’ in Jerusalem.” Blake Studies 6 (1975): 139-52.

Tolley, Michael J. “Jerusalem 12: 25-29–Some Questions Answered.” Blake Newsletter 4 (1970): 3-6.

Toomey, Deirdre, and Morton D. Paley. “Two Pictorial Sources for Jerusalem 25.” Blake Newsletter 5 (1971-72): 185-90.

Wagenknecht, David. Blake’s Night: William Blake and the Idea of Pastoral. Cambridge, Mass.: Harvard University Press, 1973.

Warner, Nicholas O. “Blake’s Moon-Ark Symbolism.” Blake: An Illustrated Quarterly 14 (1980): 44-59.

Wicksteed, Joseph H. William Blake’s Jerusalem. London: Trianon Press, 1954. New York: Beechurst Press, 1955.

Worrall, David. “Blake and the Night Sky I: The ‘Immortal Tent.'” Bulletin of Research in the Humanities 84 (1981): 273-95.

Worrall, David. “Blake’s Derbyshire: A Visionary Locale in Jerusalem.” Blake: An Illustrated Quarterly 11 (1977): 34-35.

Worrall, David. “Blake’s Jerusalem and the Visionary History of Britain.” Studies in Romanticism 16 (1977): 189-216.

Laocoön

Bieber, Margarete. Laocoön: The Influence of the Group Since Its Rediscovery. Rev. ed. Detroit: Wayne State University Press, 1967.

Bogan, James. “From Hackwork to Prophetic Vision: William Blake’s Delineation of the Laocoön Group.” Publications of the Arkansas Philological Association 6 (1980): 33-51.

Herrstrom, David Sten. “Blake’s Redemption of God in the Laocoön: Literal Incarnation and the Marriage of Picture and Text.” Perspective: Art, Literature, Participation. Ed. Mark Neuman and Michael Payne. Bucknell Review 30.1. Lewisburg: Bucknell University Press, 1986. 37-71.

James, David E. “Blake’s Laocoön: A Degree Zero of Literary Production.” PMLA 98 (1983): 226-36.

Keynes, Geoffrey, ed. William Blake’s Laocoön. London: Trianon Press, for the Blake Trust, 1976.

Larrabee, Stephen A. English Bards and Grecian Marbles. New York: Columbia University Press, 1943.

The Marriage of Heaven and Hell

Bentley, G. E., Jr. “Blake and Swedenborg.” Notes & Queries 199 ns 1 (1954): 264-65.

Bloom, Harold. “Dialectic in The Marriage of Heaven and Hell.” Ringers in the Tower: Studies in Romantic Tradition. Chicago: University of Chicago Press, 1971. 55-62.

Bloom, Harold. William Blake’s The Marriage of Heaven and Hell. Modern Critical Interpretations. New York: Chelsea House, 1987.

Butlin, Martin. “A New Color Print from the Small Book of Designs.” Blake: An Illustrated Quarterly 26 (1992): 19-21.

Cooper, Andrew M. “Irony as Self-Concealment in The Marriage of Heaven and Hell.” Auto/Biography Studies 2 (Winter 1986-87): 34-44.

Eaves, Morris. “A Reading of Blake’s Marriage of Heaven and Hell, Plates 17-20: On and Under the Estate of the West.” Blake Studies 4 (1972): 81-116.

Erdman, David V., with Tom Dargan and Marlene Deverell-Van Meter. “Reading the Illuminations of Blake’s Marriage of Heaven and Hell.” William Blake: Essays in Honour of Sir Geoffrey Keynes. Ed. Morton D. Paley and Michael Phillips. Oxford: Clarendon Press, 1973. 162-207.

Essick, Robert N. “William Blake, Thomas Paine, and Biblical Revolution.” Studies in Romanticism 30 (1991): 189-212.

Gleckner, Robert F. “Edmund Spenser and Blake’s Printing House in Hell.” South Atlantic Quarterly 81 (1982): 311-22.

Gleckner, Robert F. The Piper and the Bard. Detroit: Wayne State University Press, 1959.

Gleckner, Robert F. “Priestley and the Chameleon Angel in The Marriage of Heaven and Hell.” Blake: An Illustrated Quarterly 13 (1979): 37-39.

Helms, Randel. “Blake’s Use of the Bible in ‘A Song of Liberty.'” English Language Notes 16 (1979): 287-91.

Helms, Randel. “Proverbs of Heaven and Proverbs of Hell.” Paunch 38 (1974): 51-57.

Helms, Randel. “Why Ezekiel Ate Dung.” English Language Notes 15 (1978): 279-81.

Holstein, Michael E. “Crooked Roads without Improvement: Blake’s ‘Proverbs of Hell.'” Genre 8 (1975): 26-41.

Howard, John. “An Audience for The Marriage of Heaven and Hell.” Blake Studies 3 (1970): 19-52.

Howard, John. Infernal Poetics: Poetic Structures in Blake’s Lambeth Prophecies. Rutherford: Fairleigh Dickinson University Press, 1984.

Keynes, Geoffrey, ed. The Marriage of Heaven and Hell by William Blake. London: Oxford University Press, 1975.

McGann, Jerome J. “The Idea of an Indeterminate Text: Blake’s Bible of Hell and Dr. Alexander Geddes.” Studies in Romanticism 25 (1986): 303-24.

Miller, Dan. “Contrary Revelation: The Marriage of Heaven and Hell.” Studies in Romanticism 24 (1985): 491-509.

Paulson, Ronald. Representations of Revolution (1789-1820). New Haven: Yale University Press, 1983.

Pechey, Graham. “The Marriage of Heaven and Hell: A Text and Its Conjuncture.” Oxford Literary Review 3 (1979): 52-76.

Sabri-Tabrizi, G. R. The ‘Heaven’ and ‘Hell’ of William Blake. London: Lawrence and Wishart, 1973.

Scrivener, Michael. “A Swedenborgian Visionary and The Marriage of Heaven and Hell.” Blake: An Illustrated Quarterly 21 (1987-88): 102-04.

Viscomi, Joseph. “The Evolution of William Blake’s The Marriage of Heaven and Hell.” Huntington Library Quarterly 58 (1997): 281-344.

Milton

Adlard, John. “Blake and ‘Electrical Magic.'” Neophilologus 53 (1969): 422-23.

Adlard, John. “Blake and the Wild Thyme.” Folklore 87 (1976): 219.

Bracher, Mark. Being Form’d: Thinking through Blake’s Milton. Barrytown: Station Hill Press, 1985.

Brinkley, Robert A. “Blake and the Prophecy of Satan.” New Orleans Review 9 (1982): 73-76.

Brisman, Leslie. “Blake’s Comme-bined Cherubim: A Note on Milton, Plate 32.” Blake: An Illustrated Quarterly 21 (1987-88): 95-98.

Curtis, F. B. “Blake and the ‘Moment of Time’: An Eighteenth-Century Controversy in Mathematics.” Philological Quarterly 51 (1972): 460-70.

Damon, S. Foster. “Blake and Milton.” The Divine Vision: Studies in the Poetry and Art of William Blake. Ed. Vivian de Sola Pinto. London: Gollancz, 1957. 89-96.

Deen, Leonard W. Conversing in Paradise: Poetic Genius and Identity-as-Community in Blake’s Los. Columbia: University of Missouri Press, 1983.

De Luca, Vincent Arthur. “‘The Unwearied Sun’: An Echo of Addison in Blake’s Milton.” English Language Notes 20 (1982): 8-10.

Erdman, David V. “The Steps (of Dance and Stone) that Order Blake’s Milton.” Blake Studies 6 (1973): 73-87.

Essick, Robert N. “William Blake’s ‘Female Will’ and Its Biographical Context.” Studies in English Literature 1500-1900 31 (1991): 615-30.

Fox, Susan. “The Female as Metaphor in William Blake’s Poetry.” Essential Articles for the Study of William Blake, 1970-1984. Ed. Nelson Hilton. Hamden: Archon Books, 1986. 75-90.

Fox, Susan. Poetic Form in Blake’s Milton. Princeton: Princeton University Press, 1976.

Frye, Northrop. “Notes for a Commentary on Milton.” The Divine Vision: Studies in the Poetry and Art of William Blake. Ed. Vivian de Sola Pinto. London: Gollancz, 1957. 99-137.

Fuller, David. “Milton, and the Development of Blake’s Thought.” An Infinite Complexity: Essays on Romanticism. Ed. J. R. Watson. Edinburgh: Edinburgh University Press, 1983. 46-94.

Glausser, Wayne. “Milton and the Pangs of Repentance.” Blake: An Illustrated Quarterly 13 (1980): 192-99.

Goslee, Nancy Moore. “‘In Englands Green and Pleasant Land’: The Building of Vision in Blake’s Stanzas from Milton.” Studies in Romanticism 13 (1974): 105-25.

Goslee, Nancy Moore. Uriel’s Eye: Miltonic Stationing and Statuary in Blake, Keats, and Shelley. Birmingham: University of Alabama Press, 1985.

Grant, John E. “The Female Awakening at the End of Blake’s Milton: A Picture Story, with Questions.” Milton Reconsidered: Essays in Honor of Arthur E. Barker. Ed. John Carl Franson. Salzburg Studies in English Literature, Elizabethan and Renaissance Studies 49. Salzburg: Universität Salzburg, 1976. 78-102.

Greenberg, Mark. “Blake’s Vortex.” Colby Library Quarterly 14 (1978): 198-212.

Howard, John. Blake’s Milton: A Study in the Selfhood. Rutherford: Fairleigh Dickinson University Press, 1976.

James, David E. Written Within and Without: A Study of Blake’s Milton. Frankfurt: Peter Lang, 1977.

Johnson, Mary Lynn. “‘Separating What Has Been Mixed’: A Suggestion for a Perspective on Milton.” Blake Studies 6 (1973): 11-17.

Kauvar, Elaine. “Los’s Messenger to Eden: Blake’s Wild Thyme.” Blake Newsletter 10 (1976-77): 82-84.

Lewis, Linda M. The Promethean Politics of Milton, Blake, and Shelley. Columbia: University of Missouri Press, 1992.

Mathews, Lawrence. “‘The Value of the Saviours Blood’: The Idea of Atonement in Blake’s Milton.” Wascana Review 15 (1980): 72-86.

Miner, Paul. “Blake and the Night Sky III: Visionary Astronomy.” Bulletin of Research in the Humanities 84 (1981): 305-36.

Miner, Paul. “Newton’s Pantocrator.” Notes and Queries 206 ns 8 (1961): 15-16.

Miner, Paul. “The Polyp as a Symbol in the Poetry of William Blake.” Texas Studies in Literature and Language 2 (1960): 198-205.

Miner, Paul. “William Blake: Two Notes on Sources.” Bulletin of the New York Public Library 62 (1958): 203-07.

Owen, A. L. The Famous Druids. Oxford: Clarendon Press, 1962.

Paley, Morton D. “Cowper as Blake’s Spectre.” Eighteenth Century Studies 1 (1968): 236-52.

Paley, Morton D. “Milton and the Form of History.” The Aligarh Journal of English Studies 10 (1985): 66-80.

Pierce, Frederick E. “The Genesis and General Meaning of Blake’s Milton.” Modern Philology 25 (1927): 165-78.

Reiman, Donald H., and Christina Shuttleworth Kraus. “The Derivation and Meaning of ‘Ololon.'” Blake: An Illustrated Quarterly 16 (1982): 82-85.

Rivero, Albert J. “Typology, History, and Blake’s Milton.” Journal of English and Germanic Philology 81 (1982): 30-46.

Roe, Albert S. “‘The Thunder of Egypt.'” William Blake: Essays for S. Foster Damon. Ed. Alvin Rosenfeld. Providence: Brown University Press, 1969. 158-95.

Rose, Edward J. “Blake’s Milton: The Poet as Poem.” Blake Studies 1 (1968): 16-38.

Sandler, Florence. “The Iconoclastic Enterprise: Blake’s Critique of ‘Milton’s Religion.'” Blake Studies 5 (1972): 13-57.

Sanzo, Eileen. “Blake’s Beulah and Beulah Hill, Surrey.” Blake: An Illustrated Quarterly 9 (1975): 46.

Schuchard, Marsha Keith. “Blake’s Healing Trio: Magnetism, Medicine, and Mania.” Blake: An Illustrated Quarterly 23 (1989): 20-31.

Wagenknecht, David. Blake’s Night: William Blake and the Idea of Pastoral. Cambridge, Mass.: Harvard University Press, 1973.

Wittreich, Joseph Anthony, Jr. Angel of Apocalypse: Blake’s Idea of Milton. Madison: University of Wisconsin Press, 1975.

Worrall, David. “Blake and the Night Sky I: The ‘Immortal Tent.'” Bulletin of Research in the Humanities 84 (1981): 273-95.

On Homers Poetry [and] On Virgil

Adams, Hazard. “Must a Poem be a Perfect Unity?” Blake: An Illustrated Quarterly 21 (1987): 74-77.

The Song of Los

Behrendt, Stephen C. “History When Time Stops: Blake’s America, Europe, and The Song of Los.” Papers on Language and Literature 28 (1992): 379-97.

Dörrbecker, D. W. “The Song of Los: The Munich Copy and a New Attempt to Understand Blake’s Images.” Huntington Library Quarterly 52 (1989): 43-73.

Dörrbecker, D. W., ed. William Blake: The Continental Prophecies. Blake’s Illuminated Books, vol. 4. London: Tate Gallery Publications, for the William Blake Trust, 1995.

Erdman, David V. “The Symmetries of The Song of Los.” Studies in Romanticism 16 (1977): 179-88.

Howard, John. Infernal Poetics: Poetic Structures in Blake’s Lambeth Prophecies. Rutherford: Fairleigh Dickinson University Press, 1984.

Keynes, Geoffrey, ed. William Blake: The Song of Los. London: Trianon Press, for the William Blake Trust, 1975.

Lindsay, David W. “The Song of Los: An Interpretation of the Text.” Forum for Modern Language Studies 13 (1977): 1-5.

McCord, James. “Historical Dissonance and William Blake’s The Song of Los.” Colby Library Quarterly 20 (1984): 22-35.

Tannenbaum, Leslie. Biblical Tradition in Blake’s Early Prophecies: The Great Code of Art. Princeton: Princeton University Press, 1982.

Songs of Experience

Frye, Northrop. “Blake’s Introduction to Experience.” Blake: A Collection of Critical Essays. Ed. Northrop Frye. Englewood Cliffs: Prentice, 1966.

Gallagher, Philip J. “The Word Made Flesh: Blake’s ‘A Poison Tree’ and the Book of Genesis.” Studies in Romanticism 16 (1977): 237-49.

Grant, John E. “‘The Fly.'” William Blake: Essays for S. Foster Damon. Ed. Alvin Rosenfeld. Providence: Brown University Press, 1969. 368-82.

Grant, John E. “Interpreting Blake’s ‘The Fly.'” Blake: A Collection of Critical Essays. Ed. Northrop Frye. Englewood Cliffs: Prentice, 1966. 32-55.

Hagstrum, Jean H. “Two Flowers in the Garden of Experience.” William Blake: Essays for S. Foster Damon. Ed. Alvin Rosenfeld. Providence: Brown University Press, 1969. 333-67.

Hagstrum, Jean H. “William Blake’s ‘The Clod and the Pebble.'” Restoration and Eighteenth Century Literature: Essays in Honor of Alan Dugald McKillop. Ed. Charles Carroll Camden. Chicago: University of Chicago Press, 1963. 381-88.

Keith, William J. “The Complexities of Blake’s ‘Sunflower’: An Archetypal Speculation.” Blake: A Collection of Critical Essays. Ed. Northrop Frye. Englewood Cliffs: Prentice, 1966. 56-64.

Olson, Marilynn S., and Donald W. Olson. “Heavenly ‘Spears’ and Fiery ‘Tears’ in Blake’s ‘Tyger.'” Notes and Queries 235 ns 37 (1990): 17-18.

Paulson, Ronald. “Blake’s Revolutionary Tiger.” William Blake’s Songs of Innocence and of Experience. Ed. Harold Bloom. New York: Chelsea House, 1987. 123-32.

Riffaterre, Michael. “The Self-sufficient Text.” Essential Articles for the Study of William Blake, 1970-1984. Ed. Nelson Hilton. Hamden: Archon Books, 1986. 58-74.

Thompson, E. P. “Blake’s London.” Interpreting Blake. Ed. Michael Phillips. Cambridge: Cambridge University Press, 1978. 5-31.

Weathers, Winston, ed. William Blake: ‘The Tyger.’ Columbus: Merrill, 1969.

Songs of Innocence

Baine, Rodney M., and Mary R. Baine. “Blake’s ‘Blossom.'” Colby Library Quarterly 14 (1978): 22-27.

Borck, Jim S. “Blake’s ‘The Lamb’: The Punctuation of Innocence.” Tennessee Studies in Literature 19 (1974): 163-75.

Connolly, Thomas E., and George R. Levine. “Pictorial and Poetic Design in Two Songs of Innocence.” PMLA 82 (1967): 257-64.

Connolly, Thomas E., and George R. Levine. “Two Songs of Innocence II.” PMLA 84 (1969): 138-39.

Dilworth, Thomas. “Blake’s Argument with Newberry in ‘Laughing Song.'” Blake: An Illustrated Quarterly 14 (1980): 36-37.

Dyson, A. E. “‘The Little Black Boy’: Blake’s Song of Innocence.” Critical Quarterly 1 (1959): 44-47.

Glazer, Myra. “Blake’s Little Black Boys: On the Dynamics of Blake’s Composite Art.” Colby Library Quarterly 16 (1980): 220-36.

Gleckner, Robert F. “Blake’s ‘Little Black Boy’ and the Bible.” Colby Library Quarterly 18 (1982): 205-13.

Greco, Norma A. “Mother Figures in Blake’s Songs of Innocence and the Female Will.” Romanticism Past and Present 10 (1986): 1-15.

Hinkel, Howard H. “From Pivotal Idea to Poetic Ideal: Blake’s Theory of Contraries and ‘The Little Black Boy.'” Papers on Language and Literature 11 (1975): 39-45.

Keogh, J. G. “Two Songs of Innocence.” PMLA 84 (1969): 137-38.

Manlove, C. N. “Engineered Innocence: Blake’s ‘The Little Black Boy’ and ‘The Fly.'” Essays in Criticism 27 (1977): 112-21.

Nurmi, Martin K. “Fact and Symbol in ‘The Chimney Sweeper’ of Blake’s Songs of Innocence.” Blake: A Collection of Critical Essays. Ed. Northrop Frye. Englewood Cliffs: Prentice, 1966. 15-22.

Simpson, David. “Blake’s Pastoral: A Genesis for ‘The Ecchoing Green.'” Blake: An Illustrated Quarterly 13 (1979-80): 116-38.

Sosnowski, T. Ford. “Meter and Form in Blake’s ‘The Lamb’ and ‘The Tyger.'” Kwartalnik Neofilologiczny 31 (1984): 407-16.

Tolley, Michael J. “Blake’s Songs of Spring.” William Blake: Essays in Honour of Sir Geoffrey Keynes. Ed. Morton D. Paley and Michael Phillips. Oxford: Clarendon Press, 1973. 96-128.

Williams, Harry. “The Tyger and the Lamb.” Concerning Poetry 5 (1972): 49-56.

Songs of Innocence and of Experience

Adams, Hazard. William Blake: A Reading of the Shorter Poems. Seattle: University of Washington Press, 1963.

Bass, Eben. “Songs of Innocence and of Experience: The Thrust of Design.” Blake’s Visionary Forms Dramatic. Ed. David V. Erdman and John E. Grant. Princeton: Princeton University Press, 1970. 196-213.

Bloom, Harold, ed. William Blake’s Songs of Innocence and of Experience. New York: Chelsea House, 1987.

Chayes, Irene H. “Little Girls Lost: Problems of a Romantic Archetype.” Blake: A Collection of Critical Essays. Ed. Northrop Frye. Englewood Cliffs: Prentice, 1966. 65-78.

Frosch, Thomas. “The Borderline of Innocence and Experience.” Approaches to Teaching Blake’s Songs of Innocence and of Experience. Ed. Robert F. Gleckner and Mark L. Greenberg. New York: Modern Language Association, 1989. 74-79.

Gardner, Stanley. Blake’s ‘Innocence’ and ‘Experience’ Retraced. London: Athlone Press, 1986.

Gillham, D. G. Blake’s Contrary States. Cambridge: Cambridge University Press, 1966.

Gleckner, Robert F. The Piper and the Bard. Detroit: Wayne State University Press, 1959.

Gleckner, Robert F. “The Strange Odyssey of Blake’s ‘The Voice of the Ancient Bard.'” William Blake’s Songs of Innocence and of Experience. Ed. Harold Bloom. New York: Chelsea House, 1987. 101-21.

Gleckner, Robert F., and Mark L. Greenberg, eds. Approaches to Teaching Blake’s Songs of Innocence and of Experience. New York: Modern Language Association, 1989.

Glen, Heather. Vision and Disenchantment. Cambridge: Cambridge University Press, 1983.

Hirsch, E. D., Jr. Innocence and Experience: An Introduction to Blake. New Haven: Yale University Press, 1964.

Keynes, Geoffrey. “‘Blake’s Own’ Copy of Songs of Innocence and of Experience.” The Book Collector 29 (1980): 20-21.

Langland, Elizabeth. “Blake’s Feminist Revision of Literary Tradition in ‘The Sick Rose.'” Critical Paths: Blake and the Argument of Method. Ed. Dan Miller, Mark Bracher and Donald Ault. Durham: Duke University Press, 1987. 225-43.

Leader, Zachary. Reading Blake’s Songs. London: Routledge, 1981.

Lincoln, A[ndrew] W. J., ed. William Blake: Songs of Innocence and of Experience. Blake’s Illuminated Books, vol. 2. London: Tate Gallery Publications, for the William Blake Trust, 1991.

Lindsay, David W. Blake: Songs of Innocence and of Experience. London: Humanities Press International, 1989.

Phillips, Michael. “William Blake’s Songs of Innocence and of Experience from Manuscript Draft to Illuminated Book.” The Book Collector 28 (1979): 17-59.

Pinto, Vivian de Sola. “William Blake, Isaac Watts, and Mrs. Barbauld.” The Divine Vision: Studies in the Poetry and Art of William Blake. Ed. Vivian de Sola Pinto. London: Gollancz, 1957. 66-87.

Simpson, David. Irony and Authority in Romantic Poetry. Totowa: Rowman, 1979.

Summerfield, Geoffrey. Fantasy and Reason: Children’s Literature in the Eighteenth Century. Athens: University of Georgia Press, 1984.

Wicksteed, Joseph H. Blake’s Innocence and Experience. London: Dent, 1928.

There is No Natural Religion

Keynes, Geoffrey, ed. There is No Natural Religion. London: William Blake Trust, 1971.

Visions of the Daughters of Albion

Aers, David. “Blake: Sex, Society and Ideology.” Romanticism and Ideology: Studies in English Writing 1765-1830. Ed. David Aers, Jonathan Cook, and David Punter. London: Routledge & Kegan Paul, 1981.

Anderson, Mark. “Oothoon, Failed Prophet.” Romanticism Past and Present 8.2 (1984): 1-21.

Baine, Rodney M., and Mary R. Baine. “Bromion’s ‘Jealous Dolphins.'” Blake: An Illustrated Quarterly 14 (1981): 206-07.

Bindman, David . “Blake’s Vision of Slavery Revisited.” Huntington Library Quarterly 58 (1977): 373-82.

Duerksen, Roland A. “The Life of Love: Blake’s Oothoon.” Colby Library Quarterly 13 (1977): 186-94.

Ellis, Helen B. “Blake’s ‘Bible of Hell’: Visions of the Daughters of Albion and the Song of Solomon.” English Studies in Canada 12 (1986): 23-36.

Erdman, David V. “Blake’s Vision of Slavery.” Journal of the Warburg and Courtauld Institutes 15 (1952): 242-52.

Fox, Susan. “The Female as Metaphor in William Blake’s Poetry.” Essential Articles for the Study of William Blake, 1970-1984. Ed. Nelson Hilton. Hamden: Archon Books, 1986. 75-90.

Gleckner, Robert F. “Blake’s Swans.” Blake: An Illustrated Quarterly 15 (1981-82): 164-69.

Gleckner, Robert F. The Piper and the Bard. Detroit: Wayne State University Press, 1959.

Goslee, Nancy Moore. “Slavery and Sexual Character: Questioning the Master Trope in Blake’s Visions of the Daughters of Albion.” ELH 57 (1990): 101-28.

Haigwood, Laura Ellen. “Blake’s Visions of the Daughters of Albion: Revising an Interpretive Tradition.” San Jose Studies 11 (1985): 77-94.

Heffernan, James A. W. “Blake’s Oothoon: The Dilemmas of Marginality.” Studies in Romanticism 30 (1991): 3-18.

Hilton, Nelson. “An Original Story.” Unnam’d Forms: Blake and Textuality. Ed. Nelson Hilton and Thomas A. Vogler. Berkeley: University of California Press, 1986. 69-104.

Howard, John. Infernal Poetics: Poetic Structures in Blake’s Lambeth Prophecies. Rutherford: Fairleigh Dickinson University Press, 1984.

King-Hele, Desmond. Erasmus Darwin and the Romantic Poets. London: Macmillan Press, 1986.

Lattin, Vernon E. “Blake’s Thel and Oothoon: Sexual Awakening in the Eighteenth Century.” Literary Criterion 16 (1981): 11-24.

Leonard, David Charles. “Erasmus Darwin and William Blake.” Eighteenth-Century Life 4 (1978): 79-81.

Linkin, Harriet Kramer. “Revisioning Blake’s Oothoon.” Blake: An Illustrated Quarterly 23 (1990): 184-94.

Mellor, Anne K. “Blake’s Portrayal of Women.” Blake: An Illustrated Quarterly 16 (1982-83): 148-55.

Mellor, Anne K. “Sex, Violence, and Slavery: Blake and Wollstonecraft.” Huntington Library Quarterly 58 (1997): 345-70.

Ostriker, Alicia. “Desire Gratified and Ungratified: William Blake and Sexuality.” Blake: An Illustrated Quarterly 16 (1982-83): 156-65.

Peterson, Jane E. “The Visions of the Daughters of Albion: A Problem in Perception.” Philological Quarterly 52 (1973): 252-64.

Petter, Henri. Enitharmon: Stellung und Aufgabe eines Symbols im dichterischen Gesamtwerk William Blakes. Schweizer anglistische Arbeiten 42. Bern, Switz.: Francke, 1957.

Wardle, J. “Blake’s Leutha.” English Language Notes 5 (1967): 105-06.

Wilkie, Brian. Blake’s Thel and Oothoon. Victoria, British Columbia: University of Victoria, 1990.

Worrall, David. “William Blake and Erasmus Darwin’s Botanic Garden.” Bulletin of the New York Public Library 78 (1974-75): 397-417.

Manuscripts

Annotations to Lavater

Lavater, John Caspar. Aphorisms on Man. Ed. R. J. Shroyer. Delmar: Scholars’ Facsimiles, 1980.

Annotations to Watson

Sandler, Florence. “‘Defending the Bible’: Blake, Paine, and the Bishop on the Atonement.” Blake and His Bibles. Ed. David V. Erdman. West Cornwall: Locust Hill Press, 1990. 41-70.

Genesis Manuscript

Nanavutty, Piloo. “A Title Page in Blake’s Illustrated Genesis Manuscript.” Journal of the Warburg and Courtauld Institutes 10 (1947): 114-22.

An Island in the Moon

Baine, Rodney M., and Mary R. Baine. “Blake’s Inflammable Gass.” Blake Newsletter 10 (1976): 51-52.

Bogen, Nancy. “William Blake’s ‘Island in the Moon’ Revisited.” Satire Newsletter 5 (1968): 110-17.

Campbell, William Royce. “The Aesthetic Integrity of Blake’s Island in the Moon.” Blake Studies 3 (1971): 137-47.

England, Martha W. “The Satiric Blake: Apprenticeship at the Haymarket?” Bulletin of the New York Public Library 73 (1969): 440-64, 531-50.

Kirk, Eugene. “Blake’s Menippean Island.” Philological Quarterly 59 (1980): 194-215.

Phillips, Michael, ed. An Island in the Moon. Cambridge: Cambridge University Press, 1987.

Shroyer, R. J. “Mr. Jacko ‘Knows What Riding Is’ in 1785: Dating Blake’s Island in the Moon.” Blake: An Illustrated Quarterly 12 (1979): 250-56.

Letters

Wells, David. A Study of William Blake’s Letters. Tubingen: Stauffenburg Verlag, 1987.

The Notebook

Erdman, David V., ed. The Notebook of William Blake: A Photographic and Typographic Facsimile. With the assistance of Donald K. Moore. Oxford: Clarendon Press, 1973.

Erdman, David V. “‘Terrible Blake in His Pride’: An Essay on The Everlasting Gospel.” From Sensibility to Romanticism: Essays Presented to Frederick A. Pottle. Ed. Frederick W. Hilles and Harold Bloom. New York: Oxford University Press, 1965. 331-56.

Gleckner, Robert F. “Blake’s ‘I Saw a Chapel all of Gold.'” Colby Library Quarterly 15 (1979): 36-47.

Helms, Randel. “The Genesis of The Everlasting Gospel.” Blake Studies 9 (1981): 122-60.

The Pickering Manuscript

Blake, William. The Pickering Manuscript. New York: Pierpont Morgan Library, 1972.

Tiriel

Behrendt, Stephen C. “The Worst Disease: Blake’s Tiriel.” Colby Library Quarterly 15 (1979): 175-87.

Bentley, G. E., Jr., ed. William Blake: ‘Tiriel.’ Oxford : Clarendon Press, 1967.

Essick, Robert N. “The Altering Eye: Blake’s Vision in the Tiriel Designs.” Essays in Honour of Sir Geoffrey Keynes. Ed. Morton D. Paley and Michael Phillips. Oxford: Clarendon Press, 1973. 50-65.

Fuller, David. “The Translation of Vision: Reading Blake’s Tiriel.” Durham University Journal 75 ns 44 (1982): 29-36.

Gleckner, Robert F. The Piper and the Bard. Detroit: Wayne State University Press, 1959.

Ostrom, Hans. “Blake’s Tiriel and the Dramatization of Collapsed Language.” Papers on Language and Literature 19 (1983): 167-82.

Vala or The Four Zoas

Ackland, Michael. “The Embattled Sexes: Blake’s Debt to Wollstonecraft in The Four Zoas.” Blake: An Illustrated Quarterly 16 (1982-83): 172-83.

Aers, David. “Representations of Revolution: From the French Revolution to the Four Zoas.” Critical Paths: Blake and the Argument of Method. Ed. Dan Miller, Mark Bracher, and Donald Ault. Durham: Duke University Press, 1987. 244-70.

Ault, Donald. Narrative Unbound: Re-Visioning William Blake’s The Four Zoas. Barrytown: Station Hill Press, 1987.

Bentley, G. E., Jr. Vala; or, The Four Zoas. Oxford: The Clarendon Press, 1963.

Curran, Stuart, and Joseph Anthony Wittreich, Jr., eds. Blake’s Sublime Allegory: Essays on The Four Zoas, Milton, and Jerusalem. Madison: University of Wisconsin Press, 1973.

Deen, Leonard W. Conversing in Paradise: Poetic Genius and Identity-as-Community in Blake’s Los. Columbia: University of Missouri Press, 1983.

Erdman, David V., and Cettina Tramontano Magno, eds. The Four Zoas A Photographic Facsimile of the Manuscript with Commentary on the Illuminations. Lewisburg: Bucknell University Press, and London and Cranbury: Associated University Presses, 1987.

Gleckner, Robert F. “Blake’s Swans.” Blake: An Illustrated Quarterly 15 (1981-82): 164-69.

Hilton, Nelson. “The Sweet Science of Atmospheres in the Four Zoas.” Blake: An Illustrated Quarterly 12 (1978): 80-86.

Howard, John. Infernal Poetics: Poetic Structures in Blake’s Lambeth Prophecies. Rutherford: Fairleigh Dickinson University Press, 1984.

Lincoln, Andrew. Spiritual History: A Reading of William Blake’s Vala or The Four Zoas. Oxford: Clarendon Press, 1995.

Mann, Paul. “The Final State of The Four Zoas. ” Blake: An Illustrated Quarterly 18 (1985): 204-15.

Miner, Paul. “Blake and the Night Sky III: Visionary Astronomy.” Bulletin of Research in the Humanities 84 (1981): 305-36.

Miner, Paul. “The Polyp as a Symbol in the Poetry of William Blake.” Texas Studies in Literature and Language 2 (1960): 198-205.

Miner, Paul. “William Blake: Two Notes on Sources.” Bulletin of the New York Public Library 62 (1958): 203-07.

Owen, A. L. The Famous Druids. Oxford: Clarendon Press, 1962.

Paley, Morton D. “Cowper as Blake’s Spectre.” Eighteenth Century Studies 1 (1968): 236-52.

Roe, Albert S. “‘The Thunder of Egypt.'” William Blake: Essays for S. Foster Damon. Ed. Alvin Rosenfeld. Providence: Brown University Press, 1969. 158-95.

Rosso, George Anthony, Jr. Blake’s Prophetic Workshop: A Study of The Four Zoas. Lewisburg: Bucknell University Press, 1993.

Sanzo, Eileen. “Blake’s Beulah & Beulah Hill, Surrey.” Blake: An Illustrated Quarterly 9 (1975): 46.

Wagenknecht, David. Blake’s Night: William Blake and the Idea of Pastoral. Cambridge, Mass.: Harvard University Press, 1973.

Worrall, David. “Blake and the Night Sky I: The ‘Immortal Tent.'” Bulletin of Research in the Humanities 84 (1981): 273-95.

Separate Plates and Plates in Series

Allen, Orphia Jane. “Blake’s Archetypal Criticism: The Canterbury Pilgrims.” Genre 11 (1978): 173-89.

Blunt, Anthony. “Blake’s ‘Ancient of Days’: The Symbolism of the Compasses.” Journal of the Warburg and Courtauld Institutes 2 (1938-39): 53-63.

Bowden, Betsy. “The Artistic and Interpretive Context of Blake’s ‘Canterbury Pilgrims.'” Blake: An Illustrated Quarterly 13 (1980): 164-90.

Erdman, David V. “The Dating of William Blake’s Engravings.” Philological Quarterly 31 (1952): 337-43.

Essick, Robert N. The Separate Plates of William Blake: A Catalogue. Princeton: Princeton University Press, 1983.

Essick, Robert N., and Michael C. Young. “Blake’s ‘Canterbury’ Print: The Posthumous Pilgrimage of the Copperplate.” Blake: An Illustrated Quarterly 15 (1981): 78-82.

Keynes, Geoffrey. Engravings by William Blake: The Separate Plates. Dublin: Emery Walker, 1956.

Kiralis, Karl. “William Blake as an Intellectual and Spiritual Guide to Chaucer’s Canterbury Pilgrims.” Blake Studies 1 (1969): 139-90.

Miskimin, Alice. “The Illustrated Eighteenth-Century Chaucer.” Modern Philology 77 (1979): 26-55.

Pace, Claire. “Blake and Chaucer: ‘Infinite Variety of Character.'” Art History 3 (1980): 388-409.

Read, Dennis M. “The Rival Canterbury Pilgrims of Blake and Cromek: Herculean Figures in the Carpet.” Modern Philology 86 (1988): 171-90.

Reisner, M. E. “Effigies of Power: Pitt and Fox as Canterbury Pilgrims.” Eighteenth-Century Studies 12 (1979): 481-503.

Russell, Archibald G. B. The Engravings of William Blake. New York: Houghton Mifflin, 1912.

Ward, Aileen. “Canterbury Revisited: The Blake-Cromek Controversy.” Blake: An Illustrated Quarterly 22 (1988-89): 80-92.

Typographic Works

Descriptive Catalogue

Bentley, G. E., Jr., ed. William Blake’s Works in Conventional Typography. Delmar: Scholars’ Facsimiles and Reprints, 1984.

Eaves, Morris. The Counter-Arts Conspiracy: Art and Industry in the Age of Blake. Ithaca: Cornell University Press, 1992.

Eaves, Morris. William Blake’s Theory of Art. Princeton: Princeton University Press, 1982.

Gully, Anthony Lacy. “Mr. B and the Cherubim: A Critical Examination of William Blake’s A Descriptive Catalogue of 1809.” Phoebus: A Journal of Art History 1 (1978): 23-45.

Keynes, Geoffrey. Blake Studies. 2nd ed. Oxford: Clarendon Press, 1971. 66-73.

The French Revolution

Poetical Sketches

England, Marsha Winburn, and John Sparrow. Hymns Unbidden: Donne, Herbert, Blake, Emily Dickinson, and the Hymnographers. New York: New York Public Library, 1966.

Gleckner, Robert F. Blake’s Prelude. Baltimore: Johns Hopkins University Press, 1982.

Greenberg, Mark L., ed. Speak Silence: Rhetoric and Culture in Blake’s Poetical Sketches. Detroit: Wayne State University Press, 1996.

Lowery, Margaret. Windows of the Morning. New Haven: Yale University Press, 1940.

Phillips, Michael. “Blake’s Early Poetry.” William Blake: Essays in Honour of Sir Geoffrey Keynes. Ed. Morton D. Paley and Michael Phillips. Oxford: Clarendon Press, 1973. 1-28.

Phillips, Michael. “William Blake and the ‘Unincreasable Club’: The Printing of Poetical Sketches.” Bulletin of the New York Public Library 80 (1976). 6-18.

Tolley, Michael J. “Blake’s Songs of Spring.” William Blake: Essays in Honour of Sir Geoffrey Keynes. Ed. Morton D. Paley and Michael Phillips. Oxford: Clarendon Press, 1973. 96-128.

Works by Blake’s Circle

Bennett, Shelley M. Thomas Stothard: The Mechanisms of Art Patronage in England Circa 1800. Columbia: University of Missouri Press, 1988.

Bindman, David, ed. John Flaxman, R.A. Exh. cat. London: Thames and Hudson, for the Royal Academy of Arts, 1979.

Bishop, Morchard. Blake’s Hayley. London: Gollancz, 1951.

Butlin, Martin. Drawings by Henry Fuseli, R.A. from a Private Collection, Sale 4739. London: Christie’s, 1992.

Hagstrum, Jean H. “Romney and Blake: Gifts of Grace and Terror.” Blake in His Time. Ed. Robert N. Essick and Donald Pearce. Bloomington: Indiana University Press, 1978. 201-12.

Hayley, William. Memoirs of the Life and Writings of William Hayley. Ed. John Johnson. 2 vols. London: Colburn and Simpkin and Marshall, 1823.

Knowles, John, ed. The Life and Writings of Henry Fuseli. 3 vols. London: Henry Colburn and Richard Bentley, 1831.

Landseer, John. Lectures on the Art of Engraving. London: Longman, Hurst, Rees, and Orme, 1807.

Linnell, David. Blake, Palmer, Linnell and Co. Sussex: Book Guild Ltd., 1994.

Lister, Raymond. Catalogue Raisonné of the Works of Samuel Palmer. Cambridge: Cambridge University Press, 1988.

Lister, Raymond. Edward Calvert. London: G. Bell and Sons, 1962.

Lister, Raymond. George Richmond: A Critical Biography. London: Robin Garton Ltd., 1981.

Lister, Raymond, ed. The Letters of Samuel Palmer. 2 vols. Oxford:Clarendon Press, 1974.

Lister, Raymond. Samuel Palmer and His Etchings. London: Faber and Faber, 1969.

Lister, Raymond. Samuel Palmer: His Life and Art. Cambridge: Cambridge University Press, 1987.

Pressly, William L. The Life and Art of James Barry. New Haven: Yale University Press, 1981.

Schiff, Gert. Johann Heinrich Füssli 1741-1825: Text und Oeuvrekatalog. 2 vols. Oeuvrekataloge Schweizer Künstler 1.1-2. Zurich, Switz. and Munich, W. Ger.: Berichthaus and Prestel, 1973.

Sunderland, John. John Hamilton Mortimer: His Life and Works. Walpole Society 52 for 1986. London: Walpole Society, 1988.

Tyson, Gerald P. Joseph Johnson: A Liberal Publisher. Iowa City: University of Iowa Press, 1979.

Weinglass, David. H., ed. The Collected English Letters of Henry Fuseli. Milkwood, London, and Nendeln: Kraus International, 1982.

Weinglass, David. H. Prints and Engraved Illustrations by and after Henry Fuseli: A Catalogue Raisonné. Aldershot, Hants.: Scolar Press, 1994.

Credit:
http://www.blakearchive.org/